I am a composer/guitarist from Ottawa, Ontario, Canada. My fifth recording entitled, "The Sand in My Shoes", is being released on September 2nd. It is an instrumental EP featuring cool Caribbean/Latin grooves and smooth guitar. It has already received pre-release airplay on CBC, CHIN's Caribbean show and other community radio stations. Read the story of its creation, below.
Video Promo for my new EP.
Here's the story...
“I wanted to write and record a short musical project dedicated to my late father and my late uncle. Growing up in a Guyanese family, I was exposed to a lot of Caribbean-based music, including calypso and a variety of other music from South America and Latin America. When I began writing and recording, my father and uncle could not really embrace the most of the multi-genre music I was writing. They often cited it to be “too jazzy” or “too complex” but it was what I was focused on at the time. In light of their passing, I was finally able to channel my energies into doing a project I believe they would have enjoyed. In preparation for this, I spent quite a while listening to albums from my early childhood from artists like Hugo Blanco, Jorge Renan and The Sandpebbles of Barbados. These musicians helped me to recapture pleasant memories and provide inspiration." Here are samples from each:
1. Carnivals & Guitars—Jorge Renan (late 50s/early 60s)
I began listening to this album of Jorge Renan, an Ecuadorian guitarist, at a very young age--maybe as young as two! Since it has been a part of my life for so long, I’ve always wanted to do a project highlighting some of its musical influence. The track below, “El Trompito” written by Guillermo Toro, is one that I recall fondly. I love the exuberance and spirit of the music as well as the intimate, guitar combo, sound.
2. The Sandpebbles of Barbados (1973)
I was introduced to this group from Barbados as a child when I traveled there with my parents. It was my first exposure to Bajan calypso. The rhythms and spirit of these recordings captivated me. Their frequent use of “spouge” (a uniquely Barbadian form of calypso using a dotted rhythm and an ever present cowbell), was something new to me. This song, “Sandra (Let Her Whine)”, is a perfect example of their sound.
3. Caribia—Hugo Blanco (1960s)
I didn’t realize until much later in my life that the lead instrument on this album was harp. Blanco wrote very simple, repetitive melodies but they were very memorable. A good example is this one, “La Cigarrona”.